The Center for New Music hosts
Exchange of Midwest Collegiate Composers (EMCC)
Festival of New Music
Concert 1
Friday, April 6, 2018 at 7:30p in the
Voxman Music Building Concert Hall
View: Composers and Ensemble group photo
Program
A Lucid Dream
Jack GAFFNEY (CU-Boulder)
Mauricio Silva, clarinet
Joseph Valenti, bass clarinet
Peter Grubisich, vibraphone
Hui-Hsuan Su, violoncello
David Gompper, conductor
Joseph Valenti, bass clarinet
Peter Grubisich, vibraphone
Hui-Hsuan Su, violoncello
David Gompper, conductor
Wafting Mists
Daniel MOREL (UMKC)
Marissa Flemming, flute
Matthew Goulding, oboe
Mauricio Silva, clarinet
Alex Widstrand, bassoon
Katelyn Halbert, horn
John Kenneth Gorder, trumpet (B-flat)
Noah Perkins, trombone
Travis Newman, percussion
Yixue Zhang, violin I
Therese Slatter, violin II
Tyler Hendrickson, viola
Hui-Hsuan Su, violoncello
Will Yager, double bass
David Gompper, conductor
Matthew Goulding, oboe
Mauricio Silva, clarinet
Alex Widstrand, bassoon
Katelyn Halbert, horn
John Kenneth Gorder, trumpet (B-flat)
Noah Perkins, trombone
Travis Newman, percussion
Yixue Zhang, violin I
Therese Slatter, violin II
Tyler Hendrickson, viola
Hui-Hsuan Su, violoncello
Will Yager, double bass
David Gompper, conductor
Moments, for chamber orchestra
Hongwei CAI (UI)
Marissa Flemming, flute
Matthew Goulding, oboe
Mauricio Silva, clarinet
Alex Widstrand, bassoon
Katelyn Halbert, horn
John Kenneth Gorder, trumpet (B-flat)
Austin Seybert, trombone
Wiatt Cariveau, tuba
Peter Grubisich, percussion
Nicha Pimthong, piano
Yixue Zhang, violin I
Therese Slatter, violin II
Tyler Hendrickson, viola
Hui-Hsuan Su, violoncello
Rebeca Furtado, double bass
David Gompper, conductor
Matthew Goulding, oboe
Mauricio Silva, clarinet
Alex Widstrand, bassoon
Katelyn Halbert, horn
John Kenneth Gorder, trumpet (B-flat)
Austin Seybert, trombone
Wiatt Cariveau, tuba
Peter Grubisich, percussion
Nicha Pimthong, piano
Yixue Zhang, violin I
Therese Slatter, violin II
Tyler Hendrickson, viola
Hui-Hsuan Su, violoncello
Rebeca Furtado, double bass
David Gompper, conductor
Intermission
Light Pillars, for large chamber ensemble
John Clay ALLEN (CU-Boulder)
Marissa Flemming, flute
Mauricio Silva, bass clarinet
John Kenneth Gorder, trumpet (B-flat)
Teddy Van Winkle, trombone
Peter Grubisich, percussion
Hongwei Cai, piano
Yixue Zhang violin
Hui-Hsuan Su, violoncello
Rebeca Furtado, double bass
David Gompper, conductor
Mauricio Silva, bass clarinet
John Kenneth Gorder, trumpet (B-flat)
Teddy Van Winkle, trombone
Peter Grubisich, percussion
Hongwei Cai, piano
Yixue Zhang violin
Hui-Hsuan Su, violoncello
Rebeca Furtado, double bass
David Gompper, conductor
last good night amidst Superior fog
Jeremy MAAS (UI)
Marissa Flemming, flute
Matthew Goulding, oboe
Mauricio Silva, clarinet
Alex Widstrand, bassoon
Katelyn Halbert, horn
John Kenneth Gorder, trumpet (B-flat)
Austin Seybert, trombone
Wiatt Cariveau, tuba
Peter Grubisich and Travis Newman, percussion
Nicha Pimthong, piano
Yixue Zhang, violin I
Therese Slatter, violin II
Tyler Hendrickson, viola
Hui-Hsuan Su, violoncello
Will Yager, double bass
David Gompper, conductor
Matthew Goulding, oboe
Mauricio Silva, clarinet
Alex Widstrand, bassoon
Katelyn Halbert, horn
John Kenneth Gorder, trumpet (B-flat)
Austin Seybert, trombone
Wiatt Cariveau, tuba
Peter Grubisich and Travis Newman, percussion
Nicha Pimthong, piano
Yixue Zhang, violin I
Therese Slatter, violin II
Tyler Hendrickson, viola
Hui-Hsuan Su, violoncello
Will Yager, double bass
David Gompper, conductor
The Hesitation in Your Eyes
QI Jing (UMKC)
Marissa Flemming, flute
Matthew Goulding, oboe
Mauricio Silva, clarinet/bass clarinet)
Jonathan Hart, alto saxophone
Alex Widstrand, bassoon
Katelyn Halbert, horn
Teddy Van Winkle, trombone
Travis Newman, percussion
Pamela Weest-Carrasco, harp
Hongwei Cai, piano
Yixue Zhang, violin I
Therese Slatter, violin II
Tyler Hendrickson, viola
Hui-Hsuan Su, violoncello
Rebeca Furtado, double bass
David Gompper, conductor
Matthew Goulding, oboe
Mauricio Silva, clarinet/bass clarinet)
Jonathan Hart, alto saxophone
Alex Widstrand, bassoon
Katelyn Halbert, horn
Teddy Van Winkle, trombone
Travis Newman, percussion
Pamela Weest-Carrasco, harp
Hongwei Cai, piano
Yixue Zhang, violin I
Therese Slatter, violin II
Tyler Hendrickson, viola
Hui-Hsuan Su, violoncello
Rebeca Furtado, double bass
David Gompper, conductor
Program Notes
Jack Gaffney (CU-Boulder)
A Lucid Dream
Lucid dreaming is the ability to consciously observe and/or control your dreams. “A Lucid Dream” (2018) can be thought of as a lucid dreaming soundtrack. What if life were a dream? Are we lucid? Do we really choose to make the decisions that we make, or are we just creatures of habit and disposition? How can we bring more intentionality to the way that we live?
Jack Gaffney is a 20-year-old music composition student at the University of Colorado, Boulder. He is also a singer-songwriter, pianist and abstract artist. Jack’s interest in music spans many genres, and he pulls influence from contemporary rock and pop when writing classical music. Jack began playing piano at the age of four, singing at eight, and writing songs at nine. Much of his inspiration comes from nature, as he spends a large portion of his free time hiking and camping in the Rocky Mountains.
Daniel Morel (UMKC)
Wafting Mists
Wafting Mists draws much of its inspiration from a recent stay in the Catskills. I had the good fortune to spend many a morning watching fog lift off the mountainside. It would fill the meadows with languid swirls percolating upward. This same imagery is captured in the piece with meandering pitches that rise and fall over a bed of ever-changing timbre.
In 2013 the piece was reduced to this thirteen player, chamber orchestration for performance by the Hartford Independent Chamber Orchestra. While the reduction has thinned out certain textures, it moves just as nimbly through a shifting bed of changing colors.
Many thanks to the Woodstock Byrdcliffe Guild for providing the time and space to write this work, in addition to providing much needed inspiration. Thanks as well to the many performer friends who helped clarify this gestural language.
In 2013 the piece was reduced to this thirteen player, chamber orchestration for performance by the Hartford Independent Chamber Orchestra. While the reduction has thinned out certain textures, it moves just as nimbly through a shifting bed of changing colors.
Many thanks to the Woodstock Byrdcliffe Guild for providing the time and space to write this work, in addition to providing much needed inspiration. Thanks as well to the many performer friends who helped clarify this gestural language.
Hongwei Cai (UI)
Moments
A short piece for chamber orchestra, is related to a couple of ideas that have haunted my mind for years. These scenes, which are depicted musically by creating certain kind of moods, feelings, and atmospheres, are presented quickly and connected seamlessly. The piece begins with the pitch F and gradually introduces a striking and exploding gesture. After three times, the music restarts with a soft ostinato and undergoes a couple of developments as the tension continuously builds to the climax, after which returns to the same pitch F as an echo of the beginning.
Qi Jing (UMKC)
The Hesitation in Your Eyes
A program note is unavailable.
Qi has great passion about composing and working with musicians. He said: “The most delightful moment for me probably is when I hear my music transformed, finally, from the ink on the sheet to the meaningful sounds produced by the players, I mean, correctly. That little moment is always refresh and satisfying.”
Qi Jing’s music has been performed in various conferences and festivals, including SoundSCAPE music festival, Italy (2016,2017) Atlantic music festival (2014) American Viola Society annual conference, Oberlin.(2016), etc.
Qi Jing is the winner of the 13th SUN RIVER PRIZE International Students’ New Music Composition Competition, 2017. Cleveland Composers Guild Collegiate Competition, 2014, and the 4th Biennial Gardner Composition Competition, 2016. He is also the finalist of the ASCAP Foundation Morton Gould Young Composer Awards, 2014.
Qi holds degrees from University of Illinois-Urbana Champaign and Kent State University. Currently he is getting a DMA in composition at University of Missouri-Kansas City. Qi primarily studied with Zhou Long, Erik Lund, Reynold Tharp, Frank Wiley and Sebastian Birch. He also studied electronic music with Scott Wyatt, James Mobberley and Eli Fieldsteel.
Jeremy Maas (UI)
last goodnight amidst Superior fog
last goodnight amidst Superior fog explores one recorded sound, analyzed at three different volume thresholds. Gradually, the orchestrated sound transitions from the softest parts of the source to the surface.
We spend much of our lives saying goodbye. Though goodbyes generally have a concrete end, this piece is meant to convolute the ideas of parting and standing still. I seek to place the listener in a situation in which they are perpetually moving on, but in a sense, not moving at all. Uncertain of boundaries, a process may be perceived as unified - as if observing a single moment from many perspectives.
We spend much of our lives saying goodbye. Though goodbyes generally have a concrete end, this piece is meant to convolute the ideas of parting and standing still. I seek to place the listener in a situation in which they are perpetually moving on, but in a sense, not moving at all. Uncertain of boundaries, a process may be perceived as unified - as if observing a single moment from many perspectives.
Jeremy Maas (b. 1994) is a composer living in Iowa City. He is currently pursuing his Master’s degree in Music Composition at the University of Iowa while working as a graduate assistant in Music Theory. He previously completed a Bachelor’s degree in Music from Luther College. His music has been featured by the Iowa Composers Forum, the Exchange of Midwest Collegiate Composers, Minnesota Public Radio, and by Sybarite5. Jeremy has studied composition with Brooke Joyce, Steve Smith, Stefano Sacher, and Josh Levine.
John Clay Allen (CU-Boulder)
Light Pillars
A light pillar is an optical phenomenon in which a vertical band of light appears extending from a light source. The effect is most striking in the northern latitudes. In both Light Pillars for large chamber ensemble and the companion piece, Light Pillars II for electronics, a parallel is drawn between this optical phenomenon and the harmonic spectra of various metal percussion instruments. In the case of Light Pillars, these spectra provide the pitch material.
Clay’s compositions have been performed across the United States and internationally at festivals including SEAMUS, CICTeM in Buenos Aires, the Cortona Sessions in Italy, and the New York City Electroacoustic Music Festival. Recent commissions include works for New Music on the Point, Charlotte New Music Festival, and bassoonist Grant Bingham with funding from the DuoSolo Foundation. Passionate about education and outreach, Clay is a founding member of the Equinox New Music Collective, a nonprofit organization dedicated to bringing new music to new audiences.
Front row (left to right): Jack Gaffney, Will Yager, Kenken Gorder, Yixue Zhang, Marissa Flemming, Katie Halbert, Hongwei Cai, Hui-Hsuan Su, Nicha Pimthong, Mauricio Silva, David Gompper
Back row: Jeremy Maas, Jing Qi, Clay Allen, Rebecca Furtado, Pam Weest-Carrasco, Matt Goulding, Alex Widstrand, Peter Grubisich, Wiatt Cariveau, Teddy Van Winkle, Tyler Hendrickson, Travis Newman, Jonathan Hart, Therese Slatter